June Hayward is desperate for success as an author. She’s longing to achieve that perfect trifecta of huge commercial gains accompanied by high-profile literary prizes and a legacy on literature for generations to come.
So the sudden death of literary darling Athena Liu, leaving behind an unpublished manuscript, presents in itself an… opportunity.
June is convinced that if she were a little more ‘diverse’, rather than a brown-haired, brown-eyed girl from Philly, she’d be a lot more successful. She’s obsessed with and deeply resentful of Athena, both during her life and after her death. The manuscript Athena leaves behind tells the little-known story of the Chinese Labour Corps, the Chinese workers recruited by the British Army in the first world war. And June knows she’s hit the jackpot, and frantically begins to put her stamp on it. This might be the book to catapult her into the recognition she feels she very much deserves.
‘I’d somehow absorbed all the directness and verve of Athena’s writing. I felt, as Kayne put it, harder, better, faster, and stronger. I felt like the kind of person who now listened to Kanye.’
Her agent loves it, of course, and a bidding war ensues. Ironically, Athena’s words are stripped down to be made more palatable for the white reader: racist epithets (authentic to the deeply racist period) are removed, June slices out a chunk of characters because she can’t get the names straight, the white baddies are turned Chinese. And the audience laps it up: June hits meteoric success. She publishes under the name ‘Juniper Song’ (Song being her middle name from a hippy mother), complete with an ‘ethnically ambiguous’ author photo on the book jacket.
But the threat of someone finding out the truth about the book’s origins plagues her day and night.
It’s a biting and deliciously dark story, satirizing the publishing world in a very on-the-nose way (but that’s precisely the point). This one is definitely for the publishing nerds among us, so be prepared to tear through a lot of June reading her own Goodreads reviews and searching for her name on bookish Twitter circles. She’s an utter narcissist and can’t avert her gaze, even as she’s ripped apart on the internet and everything teeters on the brink of catastrophe.
Of course, we’re not supposed to like her. She’s brazenly discriminatory against the Chinese community as she continues to profit of the story, disparaging ‘funny-smelling’ Chinese food, moaning about Chinese elders not speaking in English, deciding she can suffer through a reading at a small-town Chinese American Social Club by imagining ‘the optics of an Instagram post of me eating catered Chinese food, surrounded by admiring Chinese fans.’ And yet, as insufferable as she is, you can’t stop invested in how her story will play out.
I sunk my teeth into this and couldn’t put it down: it’s very fast-paced and hardly drops a beat (the ending is a little nuts, but weirdly it worked?) and one of the best books I’ve read this year. I can’t wait for it to be published so I can hear the rest of the commentary on it (it will all be rather meta).
With thanks to HarperCollins for the advanced copy. Yellowface by R. F. Kuang will be published in May 2023.